The experience starts with an yin yang image target being recognized, which loads the virtual objects. Though it is often associated with taichi today, yin yang was only later incorporated into the taichi martial arts system by Chen Wanting nine generations after the system was established by the Chen family. The virtual image covers up the image target, conveying both the ever changing and ever illusory nature of taichi.
 Exhibition content illustrates how the taichi martial arts system adapted to various social pressures, starting with an interest from upper social classes, to modernity, to the social media landscape today.
 When the viewer looks at the most contemporary piece, a screenshot of two Youtube videos, the walls block the first two images of taichi's past. Only by looking back at the previous images can the walls expand back, revealing taichi's origins.
 Both surrounding walls and light change depending on the content being viewed.
 Views looking upwards
 Views looking downwards
 For the video’s first set of visuals, WeMos D1mini board with IMU/accelerometer sends data to a Processing script.
 For the second set of visuals, Javascript libraries p5.js and ml5.js were used to detect body parts and build shapes from the same movements.
 For the third set of visuals, geometry was created from a series of formal operations, in an attempt to invent a new formal language following the spirit of martial arts movements.
 Shapes generated from the first two sets were then lofted, forming continuous geometry and place alongside the third.
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